<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>equitable remuneration | Antal Dániel honlapja</title><link>https://danielantal.eu/hu/tag/equitable-remuneration/</link><atom:link href="https://danielantal.eu/hu/tag/equitable-remuneration/index.xml" rel="self" type="application/rss+xml"/><description>equitable remuneration</description><generator>Wowchemy (https://wowchemy.com)</generator><language>hu</language><lastBuildDate>Thu, 23 Sep 2021 10:00:00 +0000</lastBuildDate><image><url>https://danielantal.eu/media/icon_hub9491570ac57158c0eeecc95c95b13e5_20247_512x512_fill_lanczos_center_3.png</url><title>equitable remuneration</title><link>https://danielantal.eu/hu/tag/equitable-remuneration/</link></image><item><title>An Empirical Analysis of Music Streaming Revenues and Their Distribution</title><link>https://danielantal.eu/hu/publication/mce_empirical_streaming_2021/</link><pubDate>Thu, 23 Sep 2021 10:00:00 +0000</pubDate><guid>https://danielantal.eu/hu/publication/mce_empirical_streaming_2021/</guid><description>&lt;p>This report was commissioned by the &lt;a href="https://www.gov.uk/government/publications/music-creators-earnings-in-the-digital-era" target="_blank" rel="noopener">Music Creators’ Earnings Project&lt;/a> to provide an &lt;strong>empirical analysis of music streaming revenues in the UK&lt;/strong>.&lt;/p>
&lt;p>It showed that:&lt;/p>
&lt;ul>
&lt;li>total market growth often hides &lt;strong>flat or declining individual earnings&lt;/strong>,&lt;/li>
&lt;li>&lt;strong>exchange rate effects&lt;/strong> played a major role in sustaining incomes during 2015–2019,&lt;/li>
&lt;li>and current &lt;strong>remuneration schemes and pro-rata distribution systems&lt;/strong> do not adequately reflect the value of music for most rightsholders.&lt;/li>
&lt;/ul>
&lt;p>The study argued for &lt;strong>international data harmonisation, better survey methods, and policy coordination&lt;/strong> to make earnings more transparent and equitable.&lt;/p>
&lt;p>📄 &lt;a href="https://mce.dataobservatory.eu/MCE_UKIPO_Reprex.pdf" target="_blank" rel="noopener">Full report PDF&lt;/a>&lt;br>
📄 &lt;a href="https://zenodo.org/record/5554089" target="_blank" rel="noopener">Zenodo record&lt;/a>&lt;/p>
&lt;hr>
&lt;h2 id="related-work">Related Work&lt;/h2>
&lt;ul>
&lt;li>&lt;a href="https://music.dataobservatory.eu/publication/listen_local_2020/" target="_blank" rel="noopener">Feasibility Study On Promoting Slovak Music&lt;/a>&lt;/li>
&lt;li>&lt;a href="https://music.dataobservatory.eu/publication/music_level_playing_field_2021/" target="_blank" rel="noopener">Music Streaming: Is It a Level Playing Field?&lt;/a>&lt;/li>
&lt;li>&lt;a href="https://music.dataobservatory.eu/publication/european_visibilitiy_2021/" target="_blank" rel="noopener">Ensuring the Visibility of European Creative Content&lt;/a>&lt;/li>
&lt;li>&lt;a href="https://music.dataobservatory.eu/publication/ceereport_2020/" target="_blank" rel="noopener">Central &amp;amp; Eastern European Music Industry Report 2020&lt;/a>&lt;/li>
&lt;/ul></description></item></channel></rss>