<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Europe | Antal Dániel honlapja</title><link>https://danielantal.eu/hu/tag/europe/</link><atom:link href="https://danielantal.eu/hu/tag/europe/index.xml" rel="self" type="application/rss+xml"/><description>Europe</description><generator>Wowchemy (https://wowchemy.com)</generator><language>hu</language><lastBuildDate>Mon, 08 Sep 2025 00:00:00 +0000</lastBuildDate><image><url>https://danielantal.eu/media/icon_hub9491570ac57158c0eeecc95c95b13e5_20247_512x512_fill_lanczos_center_3.png</url><title>Europe</title><link>https://danielantal.eu/hu/tag/europe/</link></image><item><title>Green Paper on AI, Data Governance, and Metadata Policies for Europe’s Music Ecosystem (v0.1 Early Release)</title><link>https://danielantal.eu/hu/publication/2025_greenpaper_music_data_ai/</link><pubDate>Mon, 08 Sep 2025 00:00:00 +0000</pubDate><guid>https://danielantal.eu/hu/publication/2025_greenpaper_music_data_ai/</guid><description>&lt;h2 id="about-this-release">About this Release&lt;/h2>
&lt;p>This Green Paper is an &lt;strong>open consultation draft&lt;/strong> produced by the Open Music Europe consortium as part of Horizon Europe Deliverable D5.7.&lt;br>
It has been released early in line with the principles of &lt;strong>Open Policy Analysis (OPA)&lt;/strong> to make the drafting process auditable, invite feedback from stakeholders, and ensure transparency.&lt;/p>
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&lt;strong>Important:&lt;/strong> This version is &lt;strong>not for citation&lt;/strong> in academic or policy work. A stable version with a DOI will be released later in 2025 and will serve as the basis for Deliverable D5.7 (Policy Brief) and a subsequent White Paper.
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&lt;h2 id="participate">Participate&lt;/h2>
&lt;p>We invite stakeholders from music, cultural heritage, and AI governance communities to &lt;strong>comment and contribute&lt;/strong> to this draft.&lt;br>
Please visit the &lt;a href="https://zenodo.org/records/17075796" target="_blank" rel="noopener">Zenodo record&lt;/a> or the &lt;a href="https://openmuse.eu/" target="_blank" rel="noopener">Open Music Europe website&lt;/a> for more information.&lt;/p></description></item><item><title>Open Music Registers</title><link>https://danielantal.eu/hu/publication/2025_open_music_registers/</link><pubDate>Tue, 29 Apr 2025 00:00:00 +0000</pubDate><guid>https://danielantal.eu/hu/publication/2025_open_music_registers/</guid><description>&lt;h2 id="about-this-release">About this Release&lt;/h2>
&lt;p>This technical paper is part of the &lt;strong>Open Music Observatory&lt;/strong> under the Horizon Europe &lt;em>Open Music Europe&lt;/em> project.&lt;br>
It presents an early framework for federated music registers and demonstrates how they can support &lt;strong>rights management, cultural statistics, and business innovation&lt;/strong>.&lt;/p>
&lt;p>The current edition describes the design principles and pilot implementations.&lt;br>
Future editions will extend the model with more data partners, stress-tested pipelines, and additional use cases.&lt;/p>
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&lt;strong>Note:&lt;/strong> This is a &lt;strong>technical release&lt;/strong> and should be cited using the DOI: &lt;a href="https://doi.org/10.5281/zenodo.14767717" target="_blank" rel="noopener">10.5281/zenodo.14767717&lt;/a>.
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&lt;h2 id="participate">Participate&lt;/h2>
&lt;p>We invite music industry partners, cultural institutions, and researchers to &lt;strong>engage with the pilot registers&lt;/strong> and help refine the model.&lt;br>
Please visit the &lt;a href="https://doi.org/10.5281/zenodo.14767717" target="_blank" rel="noopener">Zenodo record&lt;/a> or the &lt;a href="https://music.dataobservatory.eu/" target="_blank" rel="noopener">Open Music Observatory&lt;/a> for more information.&lt;/p></description></item><item><title>Open Music Observatory Technical Report (Versioned)</title><link>https://danielantal.eu/hu/publication/2023_omo_report/</link><pubDate>Tue, 30 May 2023 00:00:00 +0000</pubDate><guid>https://danielantal.eu/hu/publication/2023_omo_report/</guid><description>&lt;h2 id="about-this-release">About this Release&lt;/h2>
&lt;p>This report presents the &lt;strong>first technical foundations&lt;/strong> of the Open Music Observatory.&lt;br>
It was written before consortium partners supplied their datasets and before &lt;strong>real data pipelines were stress-tested&lt;/strong>.&lt;/p>
&lt;p>The document outlines the Observatory’s architecture, data governance approach, and integration strategy, but it remains an &lt;strong>early edition&lt;/strong>.&lt;/p>
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&lt;strong>Note:&lt;/strong> This version is preliminary and should not be cited as a final technical reference. A new, data-driven edition will be released in 2025 once the Observatory has been validated with live data from partners.
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&lt;h2 id="next-steps">Next Steps&lt;/h2>
&lt;p>The upcoming edition will integrate &lt;strong>real-world metadata, copyright, and economic indicators&lt;/strong>, stress-tested through operational pipelines, and will provide a more complete technical baseline for Europe’s music data space.&lt;/p></description></item><item><title>Feasibility Study For The Establishment Of A European Music Observatory &amp; The Demo Observatory</title><link>https://danielantal.eu/hu/post/2020-11-16-european-music-observatory-feasibility/</link><pubDate>Mon, 16 Nov 2020 07:03:00 +0200</pubDate><guid>https://danielantal.eu/hu/post/2020-11-16-european-music-observatory-feasibility/</guid><description>&lt;p>&lt;em>The &lt;a href="https://op.europa.eu/en/publication-detail/-/publication/a756542a-249d-11eb-9d7e-01aa75ed71a1/language-en/format-PDF/source-171307257" target="_blank" rel="noopener">Feasibility study for the establishment of a European Music Observatory&lt;/a> was published on 13 November. Our private observatory, CEEMID was consulted in the creation of the Feasibility Study, and some of our recommendations found way into the consultant’s document. We created a Demo Music Observatory to provide a practical guidance on the decisions facing the European stakeholders, and to answer the questions that were left open in the Feasibility Study &amp;mdash; particularly on &lt;a href="https://dataandlyrics.com/project/music-observatory/#data-gaps" target="_blank" rel="noopener">data integration&lt;/a> and the &lt;a href="https://dataandlyrics.com/project/music-observatory/#organization" target="_blank" rel="noopener">institutional model&lt;/a>, where a wrong choice can lead to very long delivery time, &lt;a href="https://dataandlyrics.com/project/music-observatory/#quality" target="_blank" rel="noopener">quality control&lt;/a> and &lt;a href="#budget">budgeting&lt;/a>.&lt;/em>&lt;/p>
&lt;p>We have been developing our &lt;a href="https://dataandlyrics.com/project/music-observatory/" target="_blank" rel="noopener">Demo Music Observatory&lt;/a> in the world&amp;rsquo;s 2nd ranked university-backed incubator program, the &lt;a href="https://dataandlyrics.com/post/2020-09-25-yesdelft-validation/" target="_blank" rel="noopener">Yes!Delft AI Validation Lab&lt;/a> since &lt;a href="https://dataandlyrics.com/post/2020-09-15-music-observatory-launch/" target="_blank" rel="noopener">15 September 2020&lt;/a>. Our aim is to show a better organizational model, examples of &lt;a href="https://dataandlyrics.com/post/2020-09-11-creating-automated-observatory/" target="_blank" rel="noopener">research automation&lt;/a> and other data integration innovation that can reduce the budgetary needs of the European Music Observatory by 80-90% and provide far more timely, accurate, and relevant service than most data observatories in Europe.&lt;/p>
&lt;p>CEEMID has been creating a similar data observatory to the foreseen European Data Observatory, solely based on the contribution of about 60 European stakeholders. As the &lt;em>Feasibility Study&lt;/em> suggests, we would be happy to transfer much of CEEMID’s content to the European Data Observatory, which could potentially fill up about 50-70% of the envisioned observatory. We are building our Demo Music Observatory based on the 2000 pan-European indicators collected by CEEMID since 2014.&lt;/p>
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&lt;p>&lt;code>Challenge Our Demo Observatory&lt;/code>: &lt;em>Check out the&lt;/em> &lt;a href="https://demoobservatory.dataobservatory.eu/music-diversity-circulation.html" target="_blank" rel="noopener">Music Diversity &amp;amp; Circulation Pillar&lt;/a> &lt;em>of our Demo Music Observatory. If you do not find what you are looking for,&lt;/em> &lt;a href="https://dataobservatory.eu/#contact" target="_blank" rel="noopener">contact us&lt;/a> &amp;mdash; &lt;em>we will try to put the data there from our repositories.&lt;/em>&lt;/p>
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&lt;figure id="figure-illusory-data-gap-active-and-music-participation-is-available-on-eu-level-both-for-gender-groups-or-four-ethnic-minorities--this-is-regularly-featured-in-various-european-cap-surveys-and-in-our-national-cap-surveys-too">
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&lt;div class="w-100" >&lt;img src="comparative/music_activity_playing_an_instrument_by_gender.png" alt="Illusory data gap: active and music participation is available on EU level both for gender groups or four ethnic minorities – this is regularly featured in various European CAP surveys and in our national CAP surveys, too." loading="lazy" data-zoomable />&lt;/div>
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Illusory data gap: active and music participation is available on EU level both for gender groups or four ethnic minorities – this is regularly featured in various European CAP surveys and in our national CAP surveys, too.
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&lt;p>The Feasibility Study is based on perceived data gaps between data needs of the European stakeholders and data availability. We have shown earlier this year to the European stakeholders that much of these data gaps are &lt;a href="post/2020-01-30-ceereport/#invisibility">illusory&lt;/a>. We would like to give about 50 indicators with full documentation, automated, weekly, monthly, quarterly, or annual refreshment for free for all music industry users. We would like to challenge the stakeholders to formulate data requests to us and think together on the ways how could the European music industry build a better observatory faster and with less cost.&lt;/p>
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&lt;p>&lt;code>Challenge Our Demo Observatory&lt;/code>: &lt;em>Check out the&lt;/em> &lt;a href="https://data.music.dataobservatory.eu/music-economy.html" target="_blank" rel="noopener">Music Economy Pillar&lt;/a> &lt;em>of our Demo Music Observatory. If you do not find what you are looking for,&lt;/em> &lt;a href="https://dataobservatory.eu/#contact" target="_blank" rel="noopener">contact us&lt;/a> &amp;mdash; &lt;em>we will try to put the data there from our repositories.&lt;/em>&lt;/p>
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&lt;p>The Feasibility Study concludes that a “European Music Observatory would require a very significant allocation of funds, beyond what could be currently expected from the possible budget of the future Creative Europe programme”. While the Feasibility Study provide cost options, or any cost-benefit analysis, we are certain that this is an exaggeration. Most European data observatories operate with an annual 20,000-200,000-euro subsidy. We want to show with our Demo Music Observatory what can be achieved with an annual budget of 20,000 euros, 50,000 euros, 100,000 euros or 200,000 euros.&lt;/p>
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&lt;p>&lt;code>Challenge Our Demo Observatory&lt;/code>: &lt;em>Check out the&lt;/em> &lt;a href="https://data.music.dataobservatory.eu/music-society.html" target="_blank" rel="noopener">Music, Society and Citizenship Pillar&lt;/a> &lt;em>of our Demo Music Observatory. If you do not find what you are looking for,&lt;/em> &lt;a href="https://dataobservatory.eu/#contact" target="_blank" rel="noopener">contact us&lt;/a> &amp;mdash; &lt;em>we will try to put the data there from our repositories.&lt;/em>&lt;/p>
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