Data Observatory Labs

Thu, 02 Mar 2023 18:12:00 +0100

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Short Conceptual Video

WP Project Coordination

1. Reprex aims to coordinate this project with a dedicated, experienced Creative Europe project manager who is familiar with the music and audiovisual creation.

2. Because of the project size and subsidy rate (60%) every partner must contribute to financing WP Project Coordination in proportion to their effective subsidies.

WP Sustainability

Extend the usability of Eviota (a Scope 2-3 music ESG reporting tool) and GreenEyes (Scope 1 film ESG reporting tool) to work with music, film, books, and publishing.
Introduce these new methods to business school and vocational training courses.
Get regulatory approval to use in the context of the green finance package.

WP Survey Recycling

Utilize the survey harmonization and recycling tools developed in music to be available for film, television, photography, and book publishing users.
Extend harmonized question banks, and remove interoperability and semantic barriers to reuse data from previous audience and policy surveys for these CCSIs.
Subsidize the initial costs in use to transfer from non-reusable market research to reusable, collaborative market research.

WP Heritage Reuse

Utilize the best practices from music archives, film archives, and private photography archives to remove copyright law, ethical, interoperability, and semantic barriers to mix archival/heritage and new content in music, film, and photography (including in books.)
Create a special-purpose record label and audiovisual distributor that specializes in difficult, out-of-commerce/archival/commercial derivative work distribution on global streaming platforms.
Build a best practice for the legal and ethical public performance of derivative works that are made from archival/heritage (which were not deposited with the intent to be commercially used or widely circulated) and new creations.

WP AI & Big Data That Works For Everyone

Utilize the best practices from data feminism, music, and film distribution of niche, marginalized content, and create a general framework that reduces inequalities created by lower data representation (of women, small countries, small languages) that result in new injustice on algorithmic platforms. See publication.
Build new music, film, and photography information services that reduce the data imbalances, and make small language (for example, Estonian) or historically underrepresented (for example, female artists) more likely to be recommended by AI-driven algorithmic platforms such as YouTube, Spotify, or Amazon.
Create open source solutions and open knowledge that enables small, independent music, documentary, photography, and book publishers to build audiences, and monetize content with big data and AI algorithms that work for everyone, not only male artists, English language content, and mainstream works.

Questions?

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LinkedIn: Daniel Antal | Reprex

Reprex on MaMA

Fri, 15 Oct 2021 19:00:00 +0000

Reprex’s co-founder, the main developer of the Digital Music Observatory, Daniel Antal and Digital Music Observatory curator, Marie Zhorová participated in the MaMA Festival & Convention in Paris on 13-15 October within the JUMP Music Market Accelerator Program Program. We introduced our Digital Music Observatory to national music organizations and encouraged them to try out a cooperation with us. (See Use Cases below)

Our main aim was to find new users to our Digital Music Observatory, and to find partners for a future Horizon Europe R&D project to develop the scientific pillars of the Observatory in a manner that meets practical industry needs and the feature requirements laid out in hte Feasiblity Study for a Euroepan Music Observatory.

Our concept was introduced in Le Trianon to a wider audience during the JUMP Music Market Accelerator Pitch Session and in one-to-one meetings to representatives of French national organizations. We have also started to investigate the possibility to cooperate with two startups to bring our data services closer to artists, labels, and publishers.

Use Cases

Fair Streaming

Daniel introduced our work made for the UK IPO’s Music Creators’ Earnings in the Digital Era Project about the justified and not-justified differences among music rightsholders earnings and the diminishing market value of streams. We believe that our UK approach is a particularly interesting addition to join with the distribution analysis performed by the Centre Nationale de la Musique and Deloitte in France.

Fair Value

Daniel introduced to collective management professioanls our innovative approach for private copying valuation, royalty price setting, estimating the values of value transfer to media platforms, and other topics of interests for collective management and rights management organizations. Our approach has a proven track record to increase revenues for creators.

Open Music Observatory

We introduced our approach to building the European Music Observatory in a decentralized way, relying not only on the resources of Creative Europe but also on Open Science, Horizon Europe, bringing the music industry, music research in universities and cultural policy under one open collaboration. Because France is building its own music observatory of a kind, the decentralized approach could particularly benefit French stakeholders.

Listen Local

Why Data Observatory?

Our use cases highlight the value of having a wide range of data available for the industry players, researchers and policy-makers. In the era of big data, and when open data is becoming legally more and more available, it is important to have one place with a single data collection method. Copernicus built a permanent observatory for the ongoing observation of celestial bodies. We built an automated data observatory to permanently collect data about music.

innovation | Antal Dániel honlapja